I am an artist and printmaker whose practice explores notions of memory, loss and duration through the imagery of industrial ruins and other places whose narratives continue to resonate when only traces remain. My intention is to create images that slow down the viewer so that they can make new connections and allow new narratives to emerge. The prints start with a photograph, usually an analogue print, yet one that can be read through the language of drawing even though the surface is disrupted by the undisguised fragmentation of the photographic process. The slightly unfocused character of the analogue media has the effect of relocating the images into a dreamlike past.